Change nothing
For more than five hundred years the zecchino kept its weight, its fineness and its image. That stubbornness is exactly what made it the trading currency of the Mediterranean: whoever took one did not have to test it.


Medieval original


You are looking at the obverse.
Between the day this piece was made and the day you hold it there are roughly
1,200years
Where it belongs
The Middle Ages had no world currency. What counted a day's ride away was a separate question, and anyone trading converted constantly. These seven pieces stand for seven answers to that.
621 to 907
Imperial China
China cast its money instead of striking it: molten bronze into moulds, the result a round piece with a square hole so a thousand of them could go on one string. In 621 Emperor Gaozu had the Kaiyuan Tongbao introduced and prescribed a weight for it that later became the Chinese unit qian. For almost three hundred years this piece stayed the standard.
8th to 9th century
Abbasid caliphate
From Baghdad ruled the greatest power of the day, and its silver dirham ran from Central Asia to Scandinavia. It carries no image, only script: creed, mint, year and ruler. Viking graves in Sweden are full of them, because trade reached down the Russian rivers all the way to the Baltic.
Your piece
1099 to 1268
Crusader states
After taking Antioch in 1098 the new princes struck their own money, and it looks exactly like their position: a western denier, a cross, a helmeted head, and legends wavering between Latin and Greek. The money of a state that lay between two worlds and lasted less than two hundred years.
1284 to 1797
Republic of Venice
In 1284, under Doge Giovanni Dandolo, Venice introduced the gold ducat, later called the zecchino, at 3.545 grams of the purest gold medieval metallurgy could make. The Republic changed nothing about that standard until its end in 1797. Over five hundred years, the same weight and the same image: that is why the zecchino was good from Alexandria to Antwerp.
1371 to 1463
Rhenish gold gulden
In the Empire the archbishops of Cologne, Mainz and Trier struck alongside the Palatinate on the model of the Florentine florin and agreed their coins among themselves. Cologne put the apostle Peter on the front and the city arms on the back. The Rhenish gulden became the leading money of the Empire, the one prices were quoted in even when people paid in pennies.
1381 to 1407
Meissen groschen
The prince's groschen came from the silver of the Ore Mountains and was meant to hold against the Rhenish gulden: around twenty-three of them to one gulden. From 1396 it was struck with markedly less silver, and the blanks were boiled in tartar so the surface stayed white. From the outside the groschen looked the same as before.
14th to 15th century
Hollow penny
The smallest denominator of daily life: a leaf of silver, struck on one side into a soft bed so the image stands proud at the front and stays hollow at the back. Schweidnitz in Silesia put a boar on it, the arms of the town. Fourteen millimetres, a fifth of a gram, and with it people paid for cloth, grain and carting.
For more than five hundred years the zecchino kept its weight, its fineness and its image. That stubbornness is exactly what made it the trading currency of the Mediterranean: whoever took one did not have to test it.
In some regions hollow pennies were called in at regular intervals, in places twice a year: old money became void and had to be exchanged for new. The fee for that was often the mint lord's only tax income, and whoever came late lost part of their money. Money with an expiry date, six hundred years before the term.
Keeping it
Medieval coins are not modern blanks. A hollow penny is a fifth of a gram of sheet silver and bends between two fingers, gold is soft enough for a fingernail to leave a mark, and the dark layer on silver and bronze is patina: grown over centuries, a sign of authenticity among collectors, and not recoverable once it is polished away.
Thin flans need support across their whole surface. A capsule or a coin frame, not a loose bag in which the sheet props itself up on an edge.
Fingerprints contain acid and salt. Take the piece between thumb and forefinger at the edge, over a soft surface.
No vinegar, no silver cloth, no ultrasound. If a crust has to come off, let a conservator do it, not the kitchen sink.
This piece of metal weighs barely three grams. And yet it holds an entire era within it: the Silver Dirham from the great Abbasid Empire dates back to that period of the 8th and 9th centuries when Baghdad was the richest and most learned city in the known world. Whoever holds this coin in their hand holds genuine circulating currency from the Middle Ages – not a modern memorial piece, not a restrike, but authentic history you can touch. For collectors of historical silver coins, these pieces rank among the most tangible testimonies of a vanished high civilization.
The Abbasid dynasty seized power over the caliphate in 750, thereby succeeding the Umayyads. Their name derives from al-ʿAbbās ibn ʿAbd al-Muttalib, an uncle of the Prophet Muhammad. The new center of power arose on the Tigris: Baghdad, officially Madinat as-Salam – the "City of Peace." From there, caliphs such as al-Mansur, al-Mahdi, and above all Harun al-Rashid (786–809) ruled an empire whose trade routes extended from North Africa to Central Asia.
It was a golden age of science, medicine, mathematics, and poetry. To this day, Harun al-Rashid remains the ruler at whose court the tales of "One Thousand and One Nights" are set. The dirham was the backbone of this economic sphere – and it traveled remarkably far. Islamic silver coins turn up in hoards from Scandinavia to northern England, because the Vikings traded them in long-distance commerce for furs, hides, and ivory. Silver was the world currency of the early Middle Ages, and the dirham was its most important carrier.
Anyone looking for a portrait will search in vain. Islamic coins of this era deliberately dispense with imagery – instead, the dirham bears Arabic script on both sides, rendered in the angular, strictly composed Kufic calligraphy. At the center of the obverse are several lines of the profession of faith, surrounded by a marginal inscription that traditionally names the mint and the year of minting according to the Islamic calendar. The reverse repeats this principle with further lines in the field and an inscription running along the edge.
The pieces were hand-hammered. That is why each specimen is slightly irregularly rounded, and every planchet shape is unique. It is precisely this handcrafted individuality that gives the piece its appeal – no two dirhams are identical.
Precious metal: Silver
Face value: Dirham
Country of origin: Great Abbasid Empire
Gross weight: 2.9 g
Diameter: approx. 23 mm
Fineness and fine weight: variable (historical hand-struck coinage)
Year of issue, mint, caliph: various – allocated according to availability
Condition: These pieces are circulated currency and bear corresponding traces: darker patina, individual centering, nicks, wear, and occasionally weaker areas of the legend. This is precisely what makes them appealing. Since the year of issue, mint, and reverse variant may vary, the specimen delivered will differ from the image shown – you receive an original, not a mass-produced item. Please understand that the image in the shop serves as an example and that the delivered item may individually differ in appearance and condition due to historical circumstances.
Series: History
Please note: Since this is circulating currency more than 1,200 years old, the year of minting, place of minting, and size of the planchets are not uniform. Fineness and fine weight also vary. You are acquiring a historically grown original bearing signs of use – not a machine-made product.
Historical depth: a means of payment from the heyday of the Abbasid Caliphate, minted in the era of Baghdad, Kufa, and al-Muhammadiya
Authenticity instead of replica: original circulating currency, not a modern restrike
Small format, great impact: handy at around 23 mm, ideal for a display case, collector's album, or as a gift with a story to tell
Silver as a proven tangible asset: the metal retains its physical properties over centuries – these coins prove it impressively
Finite supply: historical pieces cannot be reproduced; what is on the market is all there is
Gold and silver are the oldest currencies of mankind. They have outlasted caliphates, kingdoms, and paper money systems – without their purchasing power ever having to rely on trust in a government.
What made the dirham valuable in the 9th century still holds true today: silver possesses an intrinsic value that does not depend on a promise, but on its physical properties. Unlike fiat money, it cannot be multiplied at will. Add to this the modern component: industry demands silver in large quantities for electronics, solar technology, and medical technology, while the available supply remains limited.
This is why many buyers value silver as an inflation hedge and as crisis protection. Small silver units have also always been a practical medium of exchange – the dirham itself is historical proof of this. And for wealth meant to be passed down through generations, physical precious metal offers a quality that hardly any other tangible asset can match: it does not age.
For tax purposes in Germany: profits from the sale of physical silver coins are generally tax-free after a holding period of at least one year. Please clarify the details of your personal situation with your tax advisor.
Alongside the Roman denarius or the medieval pfennig, the Abbasid dirham occupies a special position. The denarius depicts imperial portraits, while the dirham features pure calligraphic art – a completely different aesthetic approach that appeals to many collectors precisely for this reason. Compared to modern bullion coins such as a silver ounce, the difference is obvious: the dirham contains less metal, but offers a provenance that cannot be minted. Its value stems from rarity, age, and demand among collectors, not solely from its fine weight. Those who want both combine historical pieces with common bullion products – the classic combination of passion and substance.
Shipping is carried out as insured value shipping. Since each piece is a unique item, the packaging may vary.
Product depiction may differ from the final product.
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